BROKE DOWN and CHAD'S ROOM ended UCSD dryly
BLEED INTO THE MIC peaked with “Baba O’Riley”
LEGEND OF SLEEPY HOLLOW was my first for Unbound
KING LION IS DEAD broke me into PlayGround
GARDEN PARTY and GIRL WHO OWNED A BEAR traversed the Museum of Histories
HOLMES, SHERLOCK, AND THE CONSULTING DETECTIVE mashed-up three mysteries
BITCHES AND COCKS helped me scratch a deep itch
THE LURKING FEAR was a sonuvabitch
BUBBIE, IT'S COLD OUTSIDE is dark, strange, and weird
A GHOST STORY posits that giants shouldn’t be afeared
CAMP MOUNTAIN VIEW was written in 24 hours
27 WAYS… may be the peak of my playwriting powers
DAVE'S EPIC 40TH BIRTHDAY PARTY featured a cake covered in mess
GIANT AND THE PIXIE is still a work in progress
THE CHIMES: A GOBLIN STORY was written for the chapel
Katy won’t let me end this random stanza with apple
THE LEGEND(S) OF SLEEPY HOLLOW gave voice to my dear Gunpowder
THE TALE OF DAKOTA DAWSON demonstrates how much actions speak louder
THOTH'S LABYRINTH was an exercise in immersive precision
A QUEST FOR THE AGES needed more thoughtful revision
RUNED started as a spoof written only for us
THE COLD DOESN'T INCONVENINECE ME ANYHOW is flat out ridiculous
LAS LLORONAS is my saddest play – it’s truly dark
Though THE GROVE OF RASHOMON is no walk in the park
NEW CATACOMB demands “don’t let go of the string”
JORGE HOSTS CHANUKAH connects generations through their own secret thing
FLASH GORDON: THE MUSICAL - THE PLAY skewers rampant materialism
ANANSI AND THE DEMONS pokes at bombastic Imperialism
TERRORS ACROSS THE UNIVERSE showcases twins and their terrifying dance
CHUBBY BUNNY proves that a campfire can’t stop marshmallow romance
PHONE FRIEND connects strangers in kindness and grace
OF LOVE AND SHAMPOO attests that love is worth the chase
DR. SOULSLAYER, MISTRESS MINDTHEIF, AND THE CAPTOR RAPTOR HAVE A ZOOM
is the longest title I’ve written
BELUGA ROOM brings us to Sea World long after dark
YOUR SON, NORMAN engages the eulogy as no walk in the park TUPPERWARE reveals notes in a freezer that bash like a sledge
TACOMA, TRAINS, AND TOOTHPASTE broadcasts heartbreak pushed to the edge
MAX HANDS and COUNT MAGNUS are concepts I’d love to re-run
LUAUA is only one page but still lots of fun
DOSTOEVSKY is sweet in its gross masculine way
30K ARABIAN NIGHTS shows that gaming truly can pay
GRANDPA AND THE GAY RABBI conjures everyone’s favorite retirement home singer
DOOM TASTES LIKE CRANBERRIES features zinger after zinger THIS HUNGRY CHURCHYARD rhymes through a dozen ghastly deaths
THE CAUTIONARY TALE OF "BIG ED" DELAHANTY ponders a ballplayer’s last breaths
50 plays produced in the past twenty years
And a few dozen more marinating in bile and tears
Dozens of directors, hundreds of actors, thousands of audience – 50k or so
But there’s a lot more to do, back to it – let’s go:
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